Because of its beauty and unique properties, amber has fascinated people for thousands of years. With the holiday season now officially underway and many of us likely to spend at least a moment on the marine coast, today’s article focuses on the role amber played among communities living in the particular area of northern Poland during the Late Neolithic period. We will explore how its selection – based on colour, transparency, and structure – reflected the aesthetic and technological preferences of prehistoric craftspeople and users. These observations will then be compared with contemporary Polish trends in jewellery, aiming to highlight some subtle analogies between the past and the present. Join us on this fascinating journey through time, aesthetics, and technique, which proves that the choice of amber was never accidental. The inspiration for this article comes from recent research on some of the products from an amber workshop that existed around 4,500 years ago in the Żuławy Wiślane region, published by researchers from the Faculty of Archaeology at the University of Warsaw and the Museum of Earth in Warsaw Polish Academy of Sciences, in the journal Praehistorische Zeitschrift.
Invisible traces of human presence. Stories from Polish caves
Caves have been an object of human fascination since the dawn of time. These mysterious, closed spaces served various functions in the past – from temporary shelters or flint workshops to places of burial or worship. Human history is recorded here in long stratigraphic sequences, with each layer being a part of a long-forgotten story. We try to read these stories and reconstruct the lives of ancient people. Usually, we use for this purpose artefacts: objects left or lost by the former inhabitants of the caves or by people visiting them. Sometimes our reconstruction is not clear – there are too few objects or they are too well hidden. However, every human activity leaves behind something more than artefacts. It leaves behind chemical traces. We just need to learn to read them properly.
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Of three vessels which caused a lot of confusion
I opened the first box with fragments of pottery vessels. I took out, one by one, the artefacts kept in paper bags bearing still visible, but already faint labels written by professor Chmielewski nearly a quarter of a century earlier. I looked at the fragments and then had an idea!
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A child who turned out to be 7000 years younger
“It was a paper envelope with bones inside” – remembers one professor when we ask him about child bones from Bramka Rockshelter. “It was somewhere among documents in professor Chmielewski’s office”. The office was closed after his death. I hold the documentation in hands, but the envelope is missing. This is how the story began.
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Bramka Rockshelter – what the last European hunters did in a cave
I turn a tiny flint fragment in my hands. I can see that one of its sides was very accurately shaped with small percussions in order to make a triangular tool. It is slightly more than a centimetre long. I need to use a magnifying glass to see its details. Who made it? When? Was it made by the last European hunters? Why did they leave it in a cave?
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Polish computer application in archaeology
From April 2nd to April 6th, 2023, the 50th International Conference on Computer Applications and Quantitative Methods in Archaeology was held in Amsterdam. Polish archaeology was represented by a strong interdisciplinary group, which prepared two sessions and presented 10 presentations and 2 posters.

by J. Stępnik
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Of a potter and his kiln
You thought only cavemen lived in caves? What about a 19th-century potter?
Today, the people who take a walk in the Sąspowska Valley in the heart of Ojców National Park find it difficult to believe that just 100-200 years ago there were more than ten farms scattered on both sides of the Sąspówka stream that wound on the bottom of the valley. One of the households was situated near the outlet of Jamki Gully, directly below vertical rocks that are more than 20 m high. This household is marked on a map of Western Galicia, drawn in 1801-1804 by the Austrian colonel Anton Mayer von Heldensfeld after the annexation of this territory by Austria-Hungary. There were three or four small structures on the right bank of the stream.
The rock is slightly concave in this place and it forms a relatively spacious shelter. On one side there is a slit in the rock that resembles a vertical chimney, which is not insignificant for our story.
The story of a little rodent in a changing world
The summer of 9,750 BC (or 11,700 years before present) was warmer and rainier than usual in the area of the Kraków-Częstochowa Upland. At sunset, a solitary narrow-headed vole was walking across the hills, down to the Sąspow River and up to the highlands, in search of its favourite food to store for the winter, mainly shoots of grasses and sedges, every year more and more scarce and harder to find due to the advance of the forest. These were times of changes: only a few decades before, his great-grandparents were living in a suitable tundra environment with all the necessities: enough food in the summer, enough snow and ice in the winter to store their favourite grass seeds; in all the valleys were plenty of voles of his kind. Now all had changed. The solitary rodent was starving; he was the last of his kind in southern Poland. All his “family” moved northwards a long time ago because of global warming and the advance of the great forest.
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When context is the most important
Artefacts, as well as their shapes and dimensions were what counted in the past. Today the context of their discovery is the most important thing. Without the context, the archaeologist is like an illiterate person given a book.

© M. Bogacki, CC BY-NC-SA 4.0 licence
Mysteries of Koziarnia Cave. Part two – puzzle solved
The excavations in Koziarnia Cave were a bit of an earthquake. Seriously. The seismograph working continuously deeper in the cave recorded each hit of the rock pick. Geophysicists paid the price so that we, archaeologists, could eventually reveal the mysteries of Koziarnia Cave.

© M. Kot, CC BY-NC-SA 4.0 licence
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