How can we know an ancient prison when we see one?

How can we know an ancient prison when we see one? The question is a bit tricky, because prisons have proven challenging to identify in the archaeological record. One might ask, after all, aren’t they just rooms like any other rooms: four walls, single entry and exit, and a door with a locking device? What makes them different from other spaces? 

While there are certain outliers, the traditional understanding has been that prisons are generic rooms and hard, if not impossible, to distinguish. In fact, an archaeologist of the stature of Luke Lavan has recently claimed: 

“Of prisons we know little. We have no securely identified architectural evidence.” 

(Lavan 2007: 121) 

While this comment is incorrect, it does reflect the state-of-the-field in archaeology when it comes to identifying prisons. At a different level, while a few (and growing) number of prisons have been identified by excavators during the course of the 20th century, many experts would admit that they have no idea what a Roman prison looks like, which reflects the lack of anything like a typology of ancient Roman prisons. 

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The Impact of Metal Object Recording Strategies at Mycenae in 1939

Metal objects from Mycenae are some of the most famous in the archaeological world. Homer memorably described Agamemnon’s Mycenae as “rich in gold”, proven accurate in 1876 when Henrich Schliemann uncovered tombs filled with astonishing gold artefacts, amongst many other valuable treasures.

Trudging through field notes kept in an obscure archaeological notebook for the 1939 archaeological excavations at Mycenae led to an unexpected discovery: a cache of metal artefacts from a rubbish pit near the monumental Treasury of Atreus tomb, the so-called “Atreus bothros”. Yet the objects are unpublished and almost all are missing from the official finds catalogue! What happened to them? The mystery could only be solved by travelling back to 1939…

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